Monday 16 May 2016

The Poet, The Teacher and The Master Fisher

Mr. Noel P. Tuazon
Today, I will share to you my fair share of experience as a student of the teacher who greatly influenced my life as a student, a human being and as a lover of art and literature. I will not focus the lens of my story to my each prolific encounter with Sir Tuazon but rather I will share to you the things this teacher taught that were mostly beyond the understanding of the normal people. I am not saying that my teacher is abnormal, I just want to highlight that this person is EXCEPTIONAL in his craft.
Sir Tuazon once said, the hardest thing in teaching Creative Writing is teaching your students to imagine. Indeed, it is really hard to imagine especially if you want your piece to stand out among the outputs of your classmates. There are like so many subjects, topics and metaphors that were written already like love, death, friendship and life but you need to go away from what is mundane and prosaic and push the limits of your imagination. I remembered when we complained about how hard it was to write a poem or something and we asked him for suggestions. Well, he gave us one and it was quite a dare for us. He said, walk around naked in your house, be one with nature and take of all the physical inhibitions. In that way, we can unleash the sleeping poet inside our mind.

         I’ll always remember these words “Do not settle for mediocrity” this has been our motto for every poem or story we wrote. That is why we always see to it that our work is a calibrated one. Sir Tuazon is the kind of guy that would really scrutinize your work from your style, grammar and choice of words. That’s why if your piece of work happens to be the chosen work to be critiqued, just prepare yourself, check your heart rate and your blood pressure because you might not want to collapse right then and there when Sir Tuazon starts to highlight your work’s flaws, inconsistencies and ungrammatical statements. Luckily, we didn’t get that “This is not a piece of art” comment and I assure you that the notion learning from one’s mistake was very applicable to us that time. Well, Sir Tuazon might be very strict when it comes to writing but he sure was very appreciative of our works in a way that he never failed to scribble some notes about our works. I remember at that time, our goal was not to get the highest mark but to watch him do the “speechless-I-Like-It look” after reading our work and this may sound bragging, but I was one of the few who get to see it after he read my CNF, The Cliff. It was funny because my work was not finished yet because I haven’t decided yet the title of my CNF and it was Sir Tuazon who suggested that how about The Cliff. When my work was chosen to be evaluated during the workshop, I immediately put the The Cliff as the title of my CNF. Aside from my Creative Writing subject, I was also his student in his Literature classes which allowed me to play different renowned literary characters like Dona Dolores in the drama Wanted a Chaperon, Consuelo in Forever and many Greek figures.
I consider Sir Tuazon as one of the few teachers who really inspired me to do my craft with the best that I have and I considered myself as one of the lucky ones who was privileged enough to be seated in one of his classes because it’s not every day you get the chance to be mentored by a Sir Tuazon. It was when I was his student that I became more passionate about reading classic literature books and my fanaticism of Greek mythology was intensified. I felt like Alice in the Wonderland every time I was in his class because it was always a journey of enthralling discovery and after his class; I am back to my humdrum student life. I never had an opportunity to express my gratitude to Sir Tuazon because I don’t want to have those prying eyes focused on me so, Sir if you are reading this thank you for the criticisms, thank you for the inspiration and thank you for sharing to us your world.

If you want to know more about Sir Noel Tuazon, here’s our output of the interview with the one and only Noel P. Tuazon.
An Interview with the Poet from Bingag
By: Mary Cielo Padillo Joanne Tajan

Noel P. Tuazon, a name not known to many but the name widely praised by the literary society. Every day we see him in the corridors, in hallways and in the classrooms with his heavy-looking black backpack walking like an ordinary teacher teaching ordinary subjects but behind that ordinary image lies the extraordinary man who conquered and shook the world of poets with his Cebuano poems and short stories. Recently, Mr. Noel P. Tuazon won the first prize in the Palanca Awards for his piece “Gutom”. This was not the first time he won in a literary competition, he won several awards but despite the fame he remains humble and a true product of the notion “Let my works speak of who I am”.
Everything started by reading. The good professor started his writing prowess the moment he started reading. He said that in every good book he read, he always aspire to write something about it or write something that is better than that book. He studied the style and the way of how was it written. He said that when you read you start to create a story in your mind and that was how he started writing. At the age of 19, he officially started writing. His first poem was entitled “Rain in June”. The poem was about the rain during his birthday and how he had celebrated such momentous event in an ordinary way. Professionally, he started writing at the age of 27 when he went to Manila to hone his craft by taking his master’s degree in literature.
Master fishers. Walt Whitman is his first love specially Whitman’s “The Leaves of Grass”. The professor said that he had read it three times already but he still had the same fascination as the very first time he had read it. Later on, he fell in love with the short stories and poems of the famous American writer Edgar Allan Poe. Among his master fishers are Carlos Bulosan,  Cirilo F. Bautista, T.S. Elliott and E.E. Cummings. One of his teacher even commented one time that his work is like that of E.E Cummings. When asked how he felt about the comment, he said, it is a privilege because it is E.E Cummings but it would be better if you are known because of your imprint.
Palanca Awards. He won two first prizes and three third prizes in Palanca Awards. When he first joined the Palanca in 2001 he submitted three entries but none of it won. So he mellowed a bit and made a comeback in 2003 in his “Kundat sa Unang Gugma” which won third prize in the Palanca. In 2007, he won again third in the Palanca. He brought home for the first time the first prize in 2012 in his “Duhiraw” and the following year he won again placing third in his “Padre Botox”. This year he won the first prize again and when asked how it feels to win another first prize he said, He was happy but it is just an extension of the happiness because the moment you have finished your craft it feels like falling in love for the first time. The momentum of happiness is not when you win it’s when you made something, it’s when you write something. He added that everytime he finished his work he would wake his wife asking her to join his festive mood.
“Gutom”. It is a social poem. In this poem, he used Palanca as a metaphor. It is a story about a writer who won the Palanca Awards yet to everyone he is a nobody. The privilege of being famous, rich and well-acclaimed is enjoyed by the wealthy people, the T.V personalities and the comedians but not for the writers. The writer is just a nobody and to Sir Tuazon it is gutom (Hunger). The hunger of having the privilege to be acknowledged in the society and to give justice to what they have contributed to humanity. Those people are just entertaining the society but here comes a writer promoting awareness of what is happening and making difference rest in the shadows of anonymity. “Gutom” is about the argument of yes the writer won but during the Palanca Awards it is not the artist who were being recognized but the rich people, the elite and the famous. The Palanca was not held in honor for the artists but organized for the rich.
The best so far. Sir Tuazon treats all his works as the best because he threats them as his children but he said that he can’t deny the fact that the latest for the meantime becomes the best and when he writes another one it becomes the best. Right now, he still considers “Gutom” as the best but when the time comes that he will finished his “Bruno” probably, the approximation of his appreciation will be changed.
The Metaphor. When asked what is his life’s metaphor Sir Tuazon answered “Kung metaphor ko, I am a rain, I like being sad than being happy. In fact, in that I can write everything because in sadness I can write happy stories, in my smile you can feel my sadness…”
The Imprint. Before we parted, Sir Tuazon left these words “ Read, read, read. By reading you are imagining, by simply imagining you are creating your own world and by creating your own world you can change what is going on in your own society or what is going on in your world…Reading is the very birthplace of writing.”

Here are some articles and works of Noel P. Tuazon,
Would like to thank Sir Tuazon for the interview, Zorah Marie Barrera for the trailer and Joan Tajan.

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